Co w numerze:

EXHIBITING POLISH ART ABROAD: CURATORS, FESTIVALS, INSTITUTIONS

doi:10.32020/ArtandDoc/27/2022/22

Red. / Edited by Małgorzata KAŹMIERCZAK

Introduction

doi:10.32020/ArtandDoc/27/2022/2

1

How Is it Going? Or, the Need to Build Relationships in the Field of Art

• Bernadeta STANO, The Thaw, or Warming in Cracow’s Artistic Community Relations with the West, and Consequences to Art
  doi:10.32020/ArtandDoc/27/2022/3
• Katalin BALAZS, Paraphrase as an Act of Art: Some Aspects in the Work of the Łódź Kaliska and the Substitute Thirsters Artist Collectives
  doi:10.32020/ArtandDoc/27/2022/4

2

Branding Polish Graphic Arts

• Mateusz M. BIECZYŃSKI, An Escape from Socialist Realism. State-Organized Overseas Exhibitions as the Road to Fame of the Polish School of Posters
  doi:10.32020/ArtandDoc/27/2022/5

• Jeannine HARDER, Polish Posters at the 1948 International Poster Exhibition in Vienna
  doi:10.32020/ArtandDoc/27/2022/6

3

Polish Art in Scandinavia and Great Britain

• Karolina KOLENDA, Władysław Hasior in Sweden: Reassessing Peripheral Neo-Avant-Garde Networks Through Horizontal Art History
  doi:10.32020/ArtandDoc/27/2022/7
• Camilla LARSSON, The Politics of Appearance: Tadeusz Kantor Exhibiting in Sweden 1958–2014
  doi:10.32020/ArtandDoc/27/2022/8
• Anna DZIERŻYC-HORNIAK, From a Demarcation Line to a Living Archive. Documentary Exhibitions of the Foksal Gallery in the British Isles
  doi:10.32020/ArtandDoc/27/2022/9

4

Overseas

• Łukasz BIAŁKOWSKI, A Firecracker, a Light at the End of the Tunnel? The First Polish Programme of Residential Stays for Artists in the USA
  doi:10.32020/ArtandDoc/27/2022/10
• Małgorzata KAŹMIERCZAK, Freedom Is Not Free. The USA-Poland Project Juliett 484 and Its Social-Political Background
  doi:10.32020/ArtandDoc/27/2022/11

5

Polish Art in a Global Context

• Krzysztof SIATKA, Hamdi el Attar and Kassel’s Stoffwechsel Shows of the Eighties: Notes on the Off-mainstream Presence of Polish Artists
  doi:10.32020/ArtandDoc/27/2022/12
• Maciej GUGAŁA, Entangled in Contexts: Ten Years After the Side by Side Exhibition in Berlin’s Martin-Gropius-Bau
  doi:10.32020/ArtandDoc/27/2022/13
• Jarosław LUBIAK, Recognizing a Polish National Idiom in Global Art: Two Exhibitions of Polish Contemporary Art Abroad
  doi:10.32020/ArtandDoc/27/2022/14

VARIA

• Tomasz ZAŁUSKI, Najbardziej Efemeryczna ze Sztuk. Wczesne Realizacje z Użyciem Wideo w Lubelskich Galeriach Labirynt i BWA w Latach 1976–1984
  doi:10.32020/ArtandDoc/27/2022/15
• English Summary
  doi:10.32020/ArtandDoc/27/2022/16
• Łukasz BISKUPSKI, Materialistyczna Analiza Kulturoznawcza: Refleksja Metabadawcza
  doi:10.32020/ArtandDoc/27/2022/17
• English Summary
  doi:10.32020/ArtandDoc/27/2022/18
• Jakub BANASIAK, Arka. W Stronę Społecznej Historii Galerii Labirynt i BWA Lublin (1969–1993)
  doi:10.32020/ArtandDoc/27/2022/19
• English Summary
  doi:10.32020/ArtandDoc/27/2022/20

BOOKS

• Łukasz GUZEK, Henryk Gajewski. Od Konceptualizmu do Sztuki Interpersonalnej
  doi:10.32020/ArtandDoc/27/2022/21