Co w numerze:

• UNIVERSAL GARDENS. BIODIVERSITY IMAGINED

  Red. / Edited by Cornelia LAUF
  doi:10.32020/ArtandDoc/26/2022/3

• Introduction

  Cornelia LAUF, Art & Ecology at the Villa of Livia,
  Prima Porta
  doi:10.32020/ArtandDoc/26/2022/4

• Project Members
  

  doi:10.32020/ArtandDoc/26/2022/5

• Foreword

  doi:10.32020/ArtandDoc/26/2022/6

  Bernard Anson SILJ, Leaves from My Album

  Suzanne Deal BOOTH

  Fabio ATTORRE

• Research

  doi:10.32020/ArtandDoc/26/2022/7

   

• Angelina De LAURENZI, Villa di Livia

  doi:10.32020/ArtandDoc/26/2022/8

• Giuseppe MORGANTI, Creation, Re-Creation and Understanding of the Villa of Livia in Prima Porta

  doi:10.32020/ArtandDoc/26/2022/9

• Crispin CORRADO, The Swimming Pool of Livia: Natatio at Domus Liviae

  doi:10.32020/ArtandDoc/26/2022/10

• Giulia CANEVA, A Garden of the Soul and an Interpretation of the Life: The Hypogeal Painting of Garden Room of the Villa of Livia

  doi:10.32020/ArtandDoc/26/2022/11

• Crispin CORRADO, Biodiversity in the Ancient Roman World, the Villa of Livia

  doi:10.32020/ArtandDoc/26/2022/12

• June di SCHINO, Livia’s Garden: a Paradise for the Table

  doi:10.32020/ArtandDoc/26/2022/13

• Margaret KNELLER, Outside Prima Porta, and Within – Instances of Biodiversity

  doi:10.32020/ArtandDoc/26/2022/14

• Sara MYERS, Botanical Imperialism and Metamorphic Biodiversity: Livia and Ovid

  doi:10.32020/ArtandDoc/26/2022/15

• Silvia RONCHEY, Laura BORGHETTI and Giulia Maria PAOLETTI, Biodiversity in Byzantium: Between Patrons, Manuscripts, and Botanical Travels

  doi:10.32020/ArtandDoc/26/2022/16

• Nicolas LINEY, Biodiverse Poems, Posthuman Poets: Gardens in/as Imperial Roman Poetry

  doi:10.32020/ArtandDoc/26/2022/17

• Plants Depicted in the Frescos of Villa of Livia, Prima Porta, Rome

  doi:10.32020/ArtandDoc/26/2022/18

• Herbarium

  Cornelia LAUF and Flavia PRESTININZI, Contemporary Artists’ Herbarium

  doi:10.32020/ArtandDoc/26/2022/19

  Gabriel Alonso; Susannah Bosanquet; Martha Boyden; Bill Burns; Francesco Ciavaglioli; Marcello Crescenzi; Raffaella Crispino; Sabine Delafon; Mark Dion; Lisa Duclaux; Graham Durward; Karolina Dworska; Nina Eaton; Saskia Fischer; Valentina Furian; Iulia Ghiţa; Tommaso Gorla; Alexander Hamilton; Hanna Hildebrand; Debora Hirsch; Taylor Hoppes; Marija Maša Jovanovic; Ivars (William H. Sullivan); Anka Leśniak; Karolina Liusikova; Ken Lum; Adelle Lutz; Aleksandra Mir; Caterina Morigi; Christian Philipp Müller; Txuspo Poyo; Andrea Polichetti; Ruby Perkins; Rachel Pimm; Barbara Prenka; Eglé De Richemont; Chrysanne Stathacos; Sarah de Teliga; Aki Turunen; Meyer Vaisman; Maria Vorobyeva; Daniele Zoico

• Project Status Report         

  doi:10.32020/ArtandDoc/26/2022/20

• Contributors

  doi:10.32020/ArtandDoc/26/2022/21

• Acknowledgements

  doi:10.32020/ArtandDoc/26/2022/22

• Villa of Livia Frescos, Museo Nazionale Romano, Rome (a selection)

  doi:10.32020/ArtandDoc/26/2022/23

• VARIA

  doi:10.32020/ArtandDoc/26/2022/24

• TERESA FEODOROWNA RIES STUDIES

  doi:10.32020/ArtandDoc/26/2022/25

• Valerie HABSBURG, Curatorial Reflections About Un Paradiso Amaro / Bitter Paradise

  doi:10.32020/ArtandDoc/26/2022/26

• Anka LESNIAK, The Exhibition Lost Element / Re-Construction Of The Witch. Curatorial Reflections

  doi:10.32020/ArtandDoc/26/2022/27

• BOOKS

  Łukasz GUZEK, Tomáš Ruller. Perform-made

  doi:10.32020/ArtandDoc/26/2022/28

• OBITUARY

  Jan RYLKE, Think Crazy

  doi:10.32020/ArtandDoc/26/2022/29